'This 100-minute film just doesn't entertain you for even 10 minutes,' complains Joginder Tuteja.
Kaashi In Search Of Ganga is a treat for insomniacs, declares S Ramesh.
The 74-year-old filmmaker succumbed to a heart attack.
Missed La La Land at the theatres? Don't worry, the film just played out in real life.
Readers send their reviews of Dilwale Dulhaniya Le Jaayenge.
Kumbalangi Nights is one of those movies that will put you in a good mood every time you watch it, promises Anita Aikara.
Celebration time for Slumdog Millionaire's India team.
Baadshah Pehlwaan comes out as a film is not only as a thorough entertainer but also a thought-provoker, feels Prasanna D Zore.
The 90th Annual Academy Awards have been announced. A quick glance at the winners, listed in bold.
Which films are *you* rooting for?
'Somewhere, I have to be true to myself. At this point in life, I am more interested in human drama.'
A cheap version of his opus Jodhaa Akbar, Ashutosh Gowariker's Panipat falls flat on its face at every end, with lacklustre writing and terrible character definition proving to be the movie's ultimate undoing, feels Rediff reader Anu Gopinath.
The White Tiger makes a stinging commentary on New India's half-baked vision, but Ramin Bahrani isn't telling a Slumdog fairy tale here, observes Sukanya Verma.
Ekkees Toppon Ki Salaami could have been flawless but for slightly substandard dialogues and cinematography, says Paloma Sharma.
The film is crude and filled with vulgar lines making it difficult to watch.
Dunkirk may have been missed at the year's earlier awards shows, but thanks god, Chris Nolan's classic gets enough play at the Oscar noms.
'That very brand name comes in the way of people expecting something different from me.'
'Anger comes from a sense of righteousness, when you believe that you are right.' 'Nothing makes me angry.'
Director Shyamaprasad's Artist is one of his best works till date.
Remembering an incomparable actor by re-visiting his finest films.
Did the human drama provoked by the Japanese invasion of Burma and the Indian exodus from Rangoon inspire director Vishal Bhardwaj's forthcoming epic?
The 13th edition of Mumbai International Film Festival honoured several women documentary filmmakers recently.
As the legendary actor turns 60 today, we look at his finest performances in the last six decades.
Siddharth Chauhan, winner of the Satyajit Ray Award
A special word for Ayushmann: Hey Mogambo, your acting rocks!
Sukanya Verma feels wonderment for Dil Se's fabulous, flawless frames, and she tells us why.
'It is very difficult for anybody to say no to the fame and fancies that come along.' 'But I was courageous and had the strength to say no.'
'Mard Ko Dard Nahin Hota is exactly why Hindi cinema needs more film-makers who know a South Indian language,' notes J Jagannath.
'Aditya Chopra thought the climax was too cliche but he still wanted to end the film on that note. He was adamant about it.' Cinematographer Manmohan Singh takes us behind the scenes of Dilwale Dulhaniya Le Jayenge.
Small-town India shines right through in these movie gems.
Sardar Udham sets a great standard which, Utkarsh Mishra believes, would be emulated by other film-makers who want to make movies of this genre.
A look at the winners of the 89th Annual Academy Awards.
Sukanya Verma lists her favourite frames from Hum Dil De Chuke Sanam.
There are no heroes or villains in No Fathers in Kashmir, but only helpless characters, who perhaps don't have a choice other than learning to live with what they're subjected to, notes Utkarsh Mishra.
